Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
柬埔寨人不是坚定的唯物主义战士吗？
不过这好像是带有政治隐喻的鬼片。
其实说起来柬埔寨（红色高棉）才是最适合拍恐怖片的呢！
日本人进家门后都习惯不关大门，就是为了方便鬼进来
见人说人话，见鬼说鬼话，的士哥你情商很高嘛
这些都是隐喻牢改营的死难冤魂吧？
牢改营冤魂
真*红色*高棉
最后，女主被附体，男主被关小黑屋。
剧情简单，节奏很慢，建议1.5倍数观看。
《公寓》一部让人细思极恐的东南亚恐怖片！n虽然这部恐怖片的惊悚氛围一般般，然而，片中的细节却让人细思极恐，索里娅虽然忘记小时候的遭遇，但是她和男友大智一起整理母亲遗物后，当晚的噩梦就潜意识提醒她不要前去。n而磁带内的录音也揭露了这个家族最阴暗的一面，原来索里娅从小就被当作容器培养，妈妈已经带她逃离悲惨的命运，她却自投罗网。n其实，二人刚到柬埔寨时，就陷入了圈套，原先预定的车辆出现问题后，向导之所以阻止二人乘坐出租车，就是怕二人与司机聊天后，得知几年前住宅楼内发生的恐怖传言。n然而，二人沉浸在喜悦之中，并未发现欲言又止的司机，直到片尾大智被关进走廊上方的小房间后，镜头特意切换，原来这样的小房间还有很多，这也暗示了，像索里娅这样自投罗网的家族成员并非个例，更是让人不寒而栗。