I find an interesting phenomenon that almost every classic movie has an extreme beautiful woman like Gabrielle in Henry IV, Llsa in Casablanca, Mrs. de Winter in Rebecca and Cordelia in King Lear. However, their destinies are different from each other. I would like to analysis their fate in detail to understand women and go into their heart.
First of all, let us take a look at Gabriella who is Henry IV’s true love. In the period filled with war and politics, the love between she and Henry IV is so fragile that she even pay for her precious life. It’s a great tragedy! Good things are destroyed in front of the audience directly. We wonder the reason, although we just don’t want to acknowledge.
Next, let’s see another love story which is happy in the end. Mrs. de Winter in Rebecca is an ordinary woman but her strong heart makes her have a happy life with 'Maxim' de Winter in the end. In fact, there are a lot of difficult between their love but it’s also romantic too.
In the last long period in China, woman is despised by society and they are tools of reproduction for man. However, some women even succumb to the patriarchal society, although they appeal to Feminism in the mouth. I feel upset for woman because they abandon their right easily which their senior have purchased for equality for thousands of years. I think Feminism is not meaning female is better than male but equality between man and woman.
I find an interesting phenomenon that almost every classic movie has an extreme beautiful woman like Gabrielle in Henry IV, Llsa in Casablanca, Mrs. de Winter in Rebecca and Cordelia in King Lear. However, their destinies are different from each other. I would like to analysis their fate in detail to understand women and go into their heart.
First of all, let us take a look at Gabriella who is Henry IV’s true love. In the period filled with war and politics, the love between she and Henry IV is so fragile that she even pay for her precious life. It’s a great tragedy! Good things are destroyed in front of the audience directly. We wonder the reason, although we just don’t want to acknowledge.
Next, let’s see another love story which is happy in the end. Mrs. de Winter in Rebecca is an ordinary woman but her strong heart makes her have a happy life with 'Maxim' de Winter in the end. In fact, there are a lot of difficult between their love but it’s also romantic too.
In the last long period in China, woman is despised by society and they are tools of reproduction for man. However, some women even succumb to the patriarchal society, although they appeal to Feminism in the mouth. I feel upset for woman because they abandon their right easily which their senior have purchased for equality for thousands of years. I think Feminism is not meaning female is better than male but equality between man and woman.
战争没有那么的气势磅礴，宫殿和衣服没有想象中的华丽，我曾一度在想：这是为了节省开支，还是说真实的历史中那个时期的宫殿真的就是这个样子？
也许我是被奢华的场景蛊惑了已久。
我不是一个十足的影迷，我对历史也无过多的研究，我只是觉得亨利去法国见到那个公主的时候以及后来两人激情的时候，光线中揉进了那种欧洲的印象，也只有那个地方才能捕捉到这样的光线。
对皇后咬公主的屁股，以及后来美帝奇家族的那位与她的侏儒女仆在雪地里小解的两幕觉得特别有意思，看完一直就在想导演为什么会把这两幕放在影片中，因为这和我印象中的那些皇宫贵族的行为差了个十万八千里（笑）。
至于结尾定格在亨利被刺后的那一小滩血上，似乎也颇有点含义。
这剧，似乎拍成迷你剧也不错：）
有感于为何由德国人完成这部法国的传记片？很简单，原作是德国人亨利希·曼（别搞错了，不是莎士比亚的戏剧《亨利四世》）。但似乎法国人相对少，除了贡献场地和演员。
胡格诺派vs天主教两场战斗的场面拍似乎缺少了点啥，即使是对比《佣兵传奇》中的勒克鲁瓦战役的用心，《亨利四世》算是比较虚化的。
个人觉得影片比较出彩的倒是最后的死，还有那猪头...我的理解把是用这样的镜头语言将亨利还原成一个世俗，平民化的国王。此外，就如同多数历史学家的评价，纳瓦尔德亨利波旁在当时的欧洲还只是一个中规中矩的王，对比英国的亨利八世、伊丽莎白、西班牙的查理五世、腓力二世、乃至于奥斯曼土耳其的苏莱曼大帝，亨利只是一个比较“沉默”二流角色，就如同影片亨利被刺后就立刻结束了，除了那滩血和路过的行人还有猪头，没有只言片语，一个不算伟大的王的结局或许便是如此而已。
题外话，将这位亨利波旁放到此时的亚洲，哈哈哈，我想到了暹罗的帕纳黎萱王（黑王子），也是亚洲的二流角色。
那么万历皇帝算哪一级别呢？