#无瑕修女# （ Immaculate ）（B+）很好看！特别像那个复仇新娘电影《Ready or Not》，两个女主一个以为自己可以成为忠实信徒，一个以为自己可以成为新娘，没想到都是走入陷阱，为挣脱被当成“工具人”的命运只能大开杀戒，最后结局都是浑身、满脸是血地逃出地狱。其实，女人一定要结婚、生子是自古以来社会主宰者给女性的一个谎言，从小到大洗脑，很多女人前赴后继进入这个谎言，到最后发现，它可能是一场血淋淋的骗局。像《Immaculate 》和《Ready or Not》这样的电影就是用高度隐喻的方式试图打破这种“谎言”。有些事无法直说，不然就因为说教感而被忽视，所以才会通过这种恐怖片的方式呈现。先把观众骗进影院，然后看完你显然会发现：这是一部女权电影。
《Immaculate 》和《Ready or Not》都是在用极端讽刺的方式去展示一个女性进入陷阱后的遭遇，有的死亡，有的侥幸逃出，但要付出非常惨痛的代价，大部分时候是血淋淋的。其实也不是说婚姻与生子都是恐怖的，只是在特定的情况下。比如对方有隐瞒真相、故意设下圈套导致女性非自愿成为妻子或母亲。或者在没有慎重考虑时很快进入一个婚姻或过于执迷于某种信仰（也可以说是过于相信爱情）都可能最终走入牢笼，想要再出来可就难了。就是我们说的结婚（恋爱）容易，离婚难。但如果是谨慎了解并思考后自己主动选择的婚姻和生孩子，则不属于这个范围。
Sydney Sweeney还挺适合这个角色的，并非让她一直穿那么多，还是有利用到她的身材，但与此同时获得更多机会展示演技。
你们看下面的对比：一个圣母、一个新娘，最后结局都是满脸是血
But they are still the lucky ones, they did get out .
"Immaculate" is a 2024 horror film that has stirred up quite a debate and discussion among cinephiles and critics alike. Directed by Michael Mohan, the movie stars Sydney Sweeney, Álvaro Morte, Simona Tabasco, and Benedetta Porcaroli. The film tells the story of Cecilia, a woman of devout faith, who finds herself in the midst of a horrifying ordeal that challenges her beliefs and tests her survival instincts.
From the outset, "Immaculate" sets a chilling and atmospheric tone. The cinematography is stark and beautiful, capturing the haunting landscapes and the oppressive environment of the convent where much of the film takes place. The use of natural lighting and shadows adds to the eerie and unsettling mood, drawing viewers into the story.
Sydney Sweeney delivers a powerful and nuanced performance as Cecilia. Her portrayal of a woman torn between her faith and the horrifying reality she faces is both compelling and heart-wrenching. Sweeney's ability to convey the internal struggle and gradual transformation of her character is one of the film's standout elements. Her performance has been praised by critics, with some noting that she "delivers a captivating performance" in a "visually appealing horror film with a promising start".
The supporting cast also contributes to the film's intensity. Morte, Tabasco, and Porcaroli bring a sense of authenticity and depth to their roles, creating a believable and tense dynamic within the convent. The interactions between the characters are well-crafted, with each actor contributing to the overall atmosphere of dread and unease.
One of the most striking aspects of "Immaculate" is its allegorical nature. The film serves as a metaphor for the societal expectations placed on women, particularly in regards to marriage and motherhood. It challenges the notion that women must conform to traditional roles and highlights the potential dangers of blindly following societal norms. This theme is explored through the character of Cecilia, who initially embraces her faith and the expectations it entails, only to discover the dark underbelly of her devotion.
The film's narrative is both gripping and thought-provoking. It weaves a tale of horror that is not just about physical terror but also about the psychological and emotional torment that Cecilia endures. The plot unfolds at a steady pace, building tension and suspense as the story progresses. However, some critics have noted that "for all of Immaculate’s blood, it could stand to be a little gutsier" and that it "hints at deeper themes but never fully explores them".
The use of religious symbolism and iconography in "Immaculate" adds another layer of complexity to the film. It subverts traditional religious imagery, using it to create a sense of unease and to underscore the film's themes. The convent itself becomes a character in the story, a place of supposed sanctity that is revealed to be far from holy.
The film's score and sound design also deserve mention. The music is haunting and atmospheric, complementing the visuals and enhancing the overall mood of the film. The sound design is meticulous, using silence and ambient noise to heighten the tension and create an immersive experience for the audience.
Despite its strengths, "Immaculate" has received mixed reviews. Some viewers may find the film's allegorical nature and societal commentary to be heavy-handed or overly didactic. Additionally, while the film hints at deeper themes, it sometimes falls short of fully exploring them, leaving some questions unanswered and some narrative threads unresolved.
In conclusion, "Immaculate" is a visually stunning and thought-provoking horror film that offers a fresh take on the genre. With its strong performances, particularly from Sydney Sweeney, and its allegorical exploration of societal expectations, it is a film that will resonate with audiences and spark discussion. While it may not be perfect, its ambition and the questions it raises make it a noteworthy addition to the horror genre.
Overall, "Immaculate" is a film that is not easily forgotten. Its haunting visuals, strong performances, and provocative themes make it a compelling watch. Whether one agrees with its messages or not, it is clear that "Immaculate" aims to challenge and provoke thought, and in that regard, it succeeds.
宗教类的恐怖电影也是越来越突破陈旧，一念之间一尺之意就能模糊掉信仰与邪教之间的裂隙，暂且不谈这部电影是否是关于邪典类的（片中其实也没有详细说明和展示），但邪念滋生于人脑之中是笃定的。这部电影同样。
没有过多描写Cecilia是如何怀上孩子，倘若按照现实的科学角度来说，估计是人工授精，但这是一部恐怖片，就暂且不论受孕方式。
如今，传统宗教的冲击与更新开始着力在凡体肉身的存在。比起从思想上受到洗礼的波折，“宗教基因”在身体上的“新降生”开始成为这类宗教类、邪典类恐怖电影的塑造点。《罗丝玛丽的婴儿》将女性的生殖能力与邪教的仪式进行绑定，完整描绘了玛丽逐渐受到恶魔从生理到心理“侵蚀”的这一整个兴奋到怀疑到恐惧的过程。《无瑕修女》在一定程度上有相似之处，比如都是将女性与宗教进行一种孕育的“降生捆绑”。不同在于，信仰上的被动与主动——玛丽始于毫无退路的“母爱”，Cecilia信仰上帝是在于找寻自己活下来的意义。
这么说，也有点相近于《死修女》（2023《死亡修女》），片中的娜西莎也是一位极致的上帝追随者，同样是为了找寻自己受到祝福的目的在哪里。我个人是比较喜欢《死修女》，无论是故事的递进还是惊吓的设置，最佳的则是后来那一段时空交错的快节奏杀戮配上极具动感的配乐，精彩无比。而本片在惊吓的设置上欠缺一些，宗教所具有的美感的古典构置也平平无奇，不过告解室的墙中手还是有被吓到，一层层推移的神父或许代表着被信仰所抛弃的寓意，红脸黑袍的设置我疑惑中，期待着一个解答。
西德尼的演技到最后直至飙升，从地下墓穴爬出的Cecilia预示着重生，这导向了一种完全不同于《罗丝玛丽的婴儿》的结局，玛丽选择了抱起魔鬼的孩子， 而砸下Cecilia拿起石头直接断却掉非我意愿的信仰与生命，从“伟大的母爱”过渡到的是“绝对的自爱”。
砸向婴儿的石头后迎来结束的黑屏——将自己的存在视为生育工具的摄影机内部（影片角色），与将自己的身体视为凝视对象的摄影机之外（电影观众）都会付出代价。
满身是血的女主作为结尾越来越成为恐怖电影中以女性为主角的结局标配，诸如《维纳斯》《准备好了没》《你是下一个》《野蛮人》等等，身体的奇观变成了一种血腥的盛宴。影像观念的转变在恐怖电影中搭配着挥刀的果决与身体的残缺引人注目，我个人觉得这样痛苦的挣扎后血污泥泞的脸庞比精美华丽的妆造具有更为动人的美丽，冷静和勇猛开始成为女性角色的一种新标配。因为新的恐怖电影需要新的立意，而不是新的花瓶。
以上。
故事虽然在说关于“宗教”的事情，但总是感觉，这是个“比喻”，完全可以适用在任何地方。
故事一开始，女主就从漂亮的地方千里迢迢来到这个“鸟不生蛋”的地方，当地的官员，对此相当的不理解。
但既然来了，那一套漂亮的理解请放在一边，入乡得随俗，在这里，是条龙，你都得给我盘着。n
不过，女主是为了自己“坚定”的理想而来的，她愿意把自己奉献给上帝。n
故事里头有大量关于“宗教”的细节，个人不是很懂。
大概，女主需要“奉献”的地方，是个退休干部养老中心的意思。
老干部为事业奉献了一生，现在快要去见上帝了，那必须要伺候好啊。
可以想见，在这里，死亡必然是需要面对的一部分，甚至是一大部分。
一个青春少艾的少女，每天面对这样的境况，是个什么样的心态，这个其实也不太好说。
有些人，大概是一心一意工作的，这只是份工作，干完就拉倒。
但有些人，或许本来不知道会如此“乏味”，但发现想走完全走不了了，这不是“劳动补偿”的问题。
当然，也有些人，或许会发现其中的蓝海，毕竟，这帮行将就木的老家伙手里，还“掌握”着很多便利，得到其中一个青睐，可以少奋斗三十年。n
不过呢，想要得到这些人的关注，也不是那么轻松的事情。
或许，你得“选择性”放弃一些尊严和良心。
在这个号称“圣洁”的场所，还需要做这样的取舍，这貌似有点“不讲道理”啊。
但是，你得搞清楚，人民是人民，牛马是牛马，你不要自以为是的把自己归于人民。
在牛马和“神”之间，还有一个“中间阶层”。n
大概就是所谓的“打手”，这样的“打手”，会冠以各种帽子，但实质就是让牛马和“神”拉开距离，让神保持绝对的神秘，让牛马乖乖做牛马。n
如果牛马非要不听话，那，必要的训斥和惩罚，都会有的。
当然，面包肯定不会有的。
如何面对“打手”？
底层牛马大概只剩下调侃。
因为，你大概也没办法知道，那些“晋升无望”的打手，会“变态”到什么程度。n
就这么“巧”了。
女主刚到这里不久，就成功“被造神”。
这是下一个圣母，也是“拯救神”的一剂强心剂，或许，这样，那些“老家伙”才有可能“卷土重来”。
廉颇不老，还可以再借五百年的。
但是，他们需要一个“由头”。n
这就是所谓的“造神”计划。
有意思的是，这里的所有人都在满嘴胡说八道，但没有一个人敢站出来质疑。
《皇帝的新装》，你以为是个笑话，其实不是个笑话。
指鹿为马，你以为是个笑话，其实也不是个笑话。
不能说太多了，再说，又得小黑屋了。
还不知道哪一天，小编才能走出小黑屋。
不推荐你，他们会找到另一个推荐啊。
“撒旦常常把自己伪装成光明的天使”
“无暇“在本片中具有双重含义，即代表了被邪教教徒盯上的处女之身，亦代表了女主对神坚定不移的追随。在全片的推进中，始终是撒旦和神借由人类进行的一场博弈！
如何找到人群中撒旦的追随者？
看过全片的，不难猜到，神父、医生、主教、修女院长四人是“孕育计划”的知情人，也是修道院的高层，明面上，他们将自己伪装成友善、博爱、虔诚的信徒，而实际上，他们早已经被撒旦蛊惑。而罪恶的开始，是狂热的生物学家——神父的“复制神”行为。
明面上是渴望救世主的诞生，实际上是妥妥的亵渎神，因而20年来他从未成功。
而这次，能够孕育出生命的原因，是因为撒旦的加入，撒旦想要跟神作对，必将毁灭神的创造——人类，并借由神父之手，孕育出撒旦之子。于是他的手下——神父四人组，开始了对修女的杀戮和侵犯。
片头修女的出逃，四人组首次登场，对于逃跑的行为，他们没有神的悲悯，只是无情的扭断了她的小腿，并活埋。
为了进行“孕育仪式”，红面具人通过哭泣引诱女主到现场，而修女院长“刚好”出现，打消女主顾虑
“孕育仪式”在影片中被跳过，转而用女主的梦境替代，而梦境里，四人组变成了五人组，对比本片另两个镜头，可以确定四人组的构成
当四人组活动时，都会戴上面具（隐藏面孔），摘下十字架（表明立场），统一着装（隐藏性别）。目的达成后，他们亦是残忍地杀害了因爱生妒的伊莎贝尔和持怀疑态度的格温。
孕中期，种种迹象也表明了，女主所怀并非神之子，这里参考《罗斯玛丽的婴儿》，罗斯玛丽在怀上撒旦之子后，不仅变得爱吃生肉，明显的标志是，胎儿生长得飞快的同时孕妇直接瘦脱相。而本片的女主，也出现了牙齿掉落、指甲脱落的情况，说明胎儿在蚕食母体的生命。
撒旦的阴谋即将成功，那为何最后女主的奋起反抗不能理解为女性对父权花言巧语诱骗下作为“胎器”的反抗？我的回答是，有，但是这并不是后段段主旋律，我更倾向于反邪教的宗教性质。
首先是初期，在以为自己是“被选中的新娘”时，她并没有反抗，有的只是疑惑和不解。因为她是坚定地追随者，她愿意为神付出所有。
而掉落的画，成为了神的启示，让她开始洞察敌人的阴谋。
而最后的清算日，女主用的全是神的器具杀死了撒旦的走狗。
至此，神借由女主的手完成了对撒旦走狗的清算，但跑掉了一个医生（去拿东西后就没有再回来）
从最后的弑子情节来看，撒旦之子也被女主干脆地抹杀，至此，无暇成为闭环，修女对神一如既往地追随，完成了对邪教徒的清算。
总的来说，作为披着宗教外衣的恐怖片对于恐怖氛围的营造真的不太行，当年看完罗斯玛丽那种后劲会让你睡不着觉，翻来覆去的想，这片子跟看电视剧似的，软绵绵不得劲啊。故事逻辑是及格，最有记忆点还是在亲口咬断脐带那段，真是狠人啊。
#无瑕修女# （ Immaculate ）（B+）很好看！特别像那个复仇新娘电影《Ready or Not》，两个女主一个以为自己可以成为忠实信徒，一个以为自己可以成为新娘，没想到都是走入陷阱，为挣脱被当成“工具人”的命运只能大开杀戒，最后结局都是浑身、满脸是血地逃出地狱。其实，女人一定要结婚、生子是自古以来社会主宰者给女性的一个谎言，从小到大洗脑，很多女人前赴后继进入这个谎言，到最后发现，它可能是一场血淋淋的骗局。像《Immaculate 》和《Ready or Not》这样的电影就是用高度隐喻的方式试图打破这种“谎言”。有些事无法直说，不然就因为说教感而被忽视，所以才会通过这种恐怖片的方式呈现。先把观众骗进影院，然后看完你显然会发现：这是一部女权电影。
早前收到本片的试映没去是因为感觉与宗教相关的恐怖片太多，有点乏味了。但是好在找时间补上了，其实这个电影只是批了宗教的外衣，全片是一个对“女人被当作生孩子工具“这个常见现实的隐喻。所有说服女性生孩子的人都会用各种理由，就像片中这些渴望得到”救世主“的人一样走火入魔。片中说撒旦有时会戴上面具伪装成天使也是在隐喻一些男性用各种方式勾引、说服女性以达到结婚、生子的目的，但最终露出魔鬼般的真面目。那个修道院整体就是一个婚姻的隐喻，进入的女人一个也逃不出去。
而这个孩子，如同片中最后展示的，也成为了悲剧的种子。影片最后的结局有引发一些争议，但其实也是在隐喻，如果不是女性自愿生的，就算生下来也不会是幸福的开始。不惯你怎么处理，都是一场悲剧。究竟她是怎么怀上孕的也不重要，故事是在映射现实中女性以很多毫无戒备的方式上钩，最终被迫成为了受孕工具。
《Immaculate 》和《Ready or Not》都是在用极端讽刺的方式去展示一个女性进入陷阱后的遭遇，有的死亡，有的侥幸逃出，但要付出非常惨痛的代价，大部分时候是血淋淋的。其实也不是说婚姻与生子都是恐怖的，只是在特定的情况下。比如对方有隐瞒真相、故意设下圈套导致女性非自愿成为妻子或母亲。或者在没有慎重考虑时很快进入一个婚姻或过于执迷于某种信仰（也可以说是过于相信爱情）都可能最终走入牢笼，想要再出来可就难了。就是我们说的结婚（恋爱）容易，离婚难。但如果是谨慎了解并思考后自己主动选择的婚姻和生孩子，则不属于这个范围。
Sydney Sweeney还挺适合这个角色的，并非让她一直穿那么多，还是有利用到她的身材，但与此同时获得更多机会展示演技。
你们看下面的对比：一个圣母、一个新娘，最后结局都是满脸是血
But they are still the lucky ones, they did get out .
"Immaculate" is a 2024 horror film that has stirred up quite a debate and discussion among cinephiles and critics alike. Directed by Michael Mohan, the movie stars Sydney Sweeney, Álvaro Morte, Simona Tabasco, and Benedetta Porcaroli. The film tells the story of Cecilia, a woman of devout faith, who finds herself in the midst of a horrifying ordeal that challenges her beliefs and tests her survival instincts.
From the outset, "Immaculate" sets a chilling and atmospheric tone. The cinematography is stark and beautiful, capturing the haunting landscapes and the oppressive environment of the convent where much of the film takes place. The use of natural lighting and shadows adds to the eerie and unsettling mood, drawing viewers into the story.
Sydney Sweeney delivers a powerful and nuanced performance as Cecilia. Her portrayal of a woman torn between her faith and the horrifying reality she faces is both compelling and heart-wrenching. Sweeney's ability to convey the internal struggle and gradual transformation of her character is one of the film's standout elements. Her performance has been praised by critics, with some noting that she "delivers a captivating performance" in a "visually appealing horror film with a promising start".
The supporting cast also contributes to the film's intensity. Morte, Tabasco, and Porcaroli bring a sense of authenticity and depth to their roles, creating a believable and tense dynamic within the convent. The interactions between the characters are well-crafted, with each actor contributing to the overall atmosphere of dread and unease.
One of the most striking aspects of "Immaculate" is its allegorical nature. The film serves as a metaphor for the societal expectations placed on women, particularly in regards to marriage and motherhood. It challenges the notion that women must conform to traditional roles and highlights the potential dangers of blindly following societal norms. This theme is explored through the character of Cecilia, who initially embraces her faith and the expectations it entails, only to discover the dark underbelly of her devotion.
The film's narrative is both gripping and thought-provoking. It weaves a tale of horror that is not just about physical terror but also about the psychological and emotional torment that Cecilia endures. The plot unfolds at a steady pace, building tension and suspense as the story progresses. However, some critics have noted that "for all of Immaculate’s blood, it could stand to be a little gutsier" and that it "hints at deeper themes but never fully explores them".
The use of religious symbolism and iconography in "Immaculate" adds another layer of complexity to the film. It subverts traditional religious imagery, using it to create a sense of unease and to underscore the film's themes. The convent itself becomes a character in the story, a place of supposed sanctity that is revealed to be far from holy.
The film's score and sound design also deserve mention. The music is haunting and atmospheric, complementing the visuals and enhancing the overall mood of the film. The sound design is meticulous, using silence and ambient noise to heighten the tension and create an immersive experience for the audience.
Despite its strengths, "Immaculate" has received mixed reviews. Some viewers may find the film's allegorical nature and societal commentary to be heavy-handed or overly didactic. Additionally, while the film hints at deeper themes, it sometimes falls short of fully exploring them, leaving some questions unanswered and some narrative threads unresolved.
In conclusion, "Immaculate" is a visually stunning and thought-provoking horror film that offers a fresh take on the genre. With its strong performances, particularly from Sydney Sweeney, and its allegorical exploration of societal expectations, it is a film that will resonate with audiences and spark discussion. While it may not be perfect, its ambition and the questions it raises make it a noteworthy addition to the horror genre.
Overall, "Immaculate" is a film that is not easily forgotten. Its haunting visuals, strong performances, and provocative themes make it a compelling watch. Whether one agrees with its messages or not, it is clear that "Immaculate" aims to challenge and provoke thought, and in that regard, it succeeds.